![]() ![]() The horizon line is a common horizontal line that everybody can see in a landscape photo. The most common placed used horizontal lines are in landscape photography. As long as they serve the primary purpose of drawing the user’s attention toward the subject, they would be referred to as leading lines. They can be curved, diagonal, or meandering. It has to be mentioned that leading lines don’t always have to be straight. The flight of stairs curling down and leading toward the cyclist and the curved curb seemingly pointing toward the cyclist are good examples of leading lines. Apart from being a perfect example of the principle of “Decisive Moment,” the photo is also a powerful example of how leading lines can be used in a composition. One of the classic examples of leading lines in photography is Henri Cartier-Bresson’s image of a cyclist going past a flight of stairs along a narrow alley. But what stands out is the use of leading lines in his composition that draw his viewers into his composition. Most of his photographs are in monochrome, which is why the strength of his compositions comes through in those photos. Looking at some of the photos from Alexander Schoenberg’s Urban Melancholy series I and II, you can find some beautiful examples of leading lines. The positioning of the line is mainly in the foreground because the purpose of the line is to draw the user deeper into the photo. The purpose of that line is to guide the viewer through the clutter of composition and toward the main subject. The leading line is a line that can be both straight and curved, and it generally points the viewer’s eye toward the focus of the image. Perhaps the most often used term is when we refer to lines in photography. While we are at it we shall also look at interesting ways to use lines to create a strong impact in photography. Let’s take a detailed look at the use of lines in a photographic composition. Straight lines, for example, convey a message of stability, peace, and solidity.Ī curved line is often used to convey a sense of direction, guiding the viewer’s eyes to the focus of the image (and often the image’s main subject). ![]() ![]() Lines are geometric shapes but powerful compositional tools in the right hands. ![]() Lines are used in several different manners in photography, each conveying a different mood and meaning to the whole image. Even a curved line or a hint of a line has the desired effect. It’s not always necessary that a photographer must incorporate a straight line in a composition. A German photographer who came into the world of photography quite accidentally followed his doctor’s advice to “just more walking.”Īlexander’s work is an exquisite example of how lines can be used in multivarious manners to express the photographer’s viewpoint. An example I can cite is the works of Alexander Schoenberg. Street photography, e.g., is one genre where lines routinely come back as a compositional element. Without a mastery of lines, you will not find the same success you’re looking for in specific genres of photography. Lines along and shaped assume a fundamental aspect of composition in photography. So lines serve a range of purposes in photography. Again it can have a deeper connection, too, such as when it serves as a guiding line to the main object of focus in composition. In photography, a line can be curved or straight, or even zigzag, marked as the outline of a subject, or even superficial, working as a connecting line between two compositional elements. But that’s the scholarly definition of the line, which has very little significance in photography. Lines can also exist in three-dimensional space but are still unidimensional and extend infinitely in either direction. To define a line in geometric parlance, we can define it as a unidimensional object between two points. We often hear the word ‘lines’ in photography. ![]()
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